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Amelia' never really takes off
What do Americans know today about Amelia Earhart? My guess is that, if she's remembered at all, it's as a pioneering aviator in the late 1920s and 1930s who disappeared in the Pacific Ocean in 1937 while trying to fly around the world.
Mira Nair's "Amelia," starring two-time Oscar winner Hilary Swank in the title role, is an attempt to make sure that Earhart will be remembered, particularly by young women. "Amelia blazed this trail for women to follow their dreams and make no apology for it," says Swank in one of the short documentaries included on the "Amelia" DVD, out this week (Fox Home Entertainment, $29.98/$39.99 Blu-ray, rated PG).
Nair's biopic dutifully traces Earhart's development from a Midwestern tomboy who fell in love with flying to one of the most famous women in America. The film depicts Earhart's discovery by publisher George P. Putnam (Richard Gere), who selected her to be a passenger and log keeper accompanying a male pilot and mechanic in a trans-Atlantic flight in 1928. This enabled
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New on DVD on Feb. 2: 'Zombieland' worth a visit
The new selection of DVD's hitting stores on Tuesday range from a basketball documentary and a comedy battle with zombies.
"Zombieland" Grade A: A group of people try to survive in a world full of zombies. "Shaun of the Dead," the wonderfully witty 2004 British import, is no longer king of zombie comedies. That title now belongs to "Zombieland," where the walking dead have never been funnier.
Writers Rhett Reese and Paul Wernick have created a story that is a shotgun blast of jokes that not only satirizes the genre but finds time to take plenty of shots at pop culture.
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New on DVD Feb. 2: 'Zombieland' and 'Amelia'
The new selection of DVD's hitting stores on Tuesday range from a basketball documentary to a comedy battle with zombies.
"Zombieland" Grade A: A group of people try to survive in a world full of zombies. "Shaun of the Dead," the wonderfully witty 2004 British import, is no longer king of zombie comedies. That title now belongs to "Zombieland," where the walking dead have never been funnier.
Writers Rhett Reese and Paul Wernick have created a story that is a shotgun blast of jokes that not only satirizes the genre but finds time to take plenty of shots at pop culture.
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Amelia,' Music Man,' Mystic River' lead parade of new Blu-ray titles
A film about an aviation pioneer, "Amelia" (20th Century Fox, 2009, $39.99); a joyous musical, "The Music Man" (Warner Brothers, 1962, $28.99); and an absorbing drama, "Mystic River" (Warner Brothers, 2003, $28.99), top this week's lineup of Blu-ray releases.
"Amelia," a biopic about the world's most famous female pilot, Amelia Earhart, seems almost a throwback to another era of filmmaking. It has more in common with similar movies from the 1930s than it does with today's graphic-tell-all depictions of famous lives. That's not necessarily a bad thing.
Hillary Swank is perfectly cast in the lead role and it doesn't hurt that, onscreen, she looks so much like the Earhart we've seen in still photographs and old newsreels. The movie opens in 1937 with Earhart getting ready to make that fateful flight across the Pacific, during which she disappeared.
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'Post Grad' fails to make the grade
Because Alexis Bledel plays the same determined, intelligent and likable character that she brought to life on "Gilmore Girls" for so many years, there's a natural inclination to think of "Post Grad" as "Rory Gilmore's College Daze."
On closer examination, such a new moniker would do an injustice to the "Gilmore" clan. "Post Grad" doesn't have the same sharp dialogue, smart story twists or originality that made "Gilmore Girls" so good.
"Post Grad" is more like an average episode of a very average sitcom.
Considering that the new biopic "Amelia" is based on two books about the famed flier - Susan Butler's "East to the Dawn" and Mary S. Lovell's "The Sound of Wings" - the film is very thin when it comes to insights. Director Mira Nair has created more of a travelogue than an examination of one of the most intriguing women in history.
"Amelia" should have been a compelling story of love, bravery and the human spirit - but it ends up about as interesting an in-flight airplane safety movie. You know you should pay attention, but it all seems way too familiar.
The script by Ron Bass and Anna Hamilton Phelan uses Earhart's final flight as the film framework. That's the safe and bland choice, since Earhart's disappearance at sea has been documented so well. It would have been far more interesting to look at what drove Earhart as a child to want to be a flier. There weren't that many pilots - men or women - who wanted to fly at the beginning of the 20th century.
Nair skims across Earharts life, barely touching her marriage, affair and role as a spokesperson for everything from waffle irons to luggage. There is a brief mention of Earhart's love for her alcoholic father, but the writers steer clear of going too deep. A closer examination of any one of these points would have made for a better film.
Hilary Swank, who has more than a passing resemblance to Earhart, is lethargic in her acting. History shows Earhart was a woman of great strength, but Swank never shows even a moment of spunk. The two-time Oscar winner will get mentioned when Academy Award nominations roll around - but more out of habit than as a legitimate contender.
Richard Gere plays Earhart's husband, and Ewan McGregor portrays her lover. Both do the best they can with a script that provides very little fodder for their roles.
"Amelia" doesn't crash and burn, but it never soars despite being powered by such a fascinating subject.
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