Similar stories:
•
New DVDs: 'Pelham' director turns up the tension
"The Taking of Pelham 123" Grade B+: A subway dispatcher (Denzel Washington) must deal with a man (John Travolta) who has taken hostages.
Director Tony Scott has manipulated the film's design to get the maximum interaction from his stars. That's one major reason "Pelham" is such a thrill ride.
Travolta is like a playful dog when he gets these kind of over-the-top characters. Washington, who added a few pounds to play the part, always seems comfortable in the everyguy role.
•
Reviews of recent and upcoming DVD releases
Where God Left His Shoes (NR, 2008, IFC Films)
It's November, which means it's Christmastime as far as studios, merchandisers and marketers are concerned. It's also 2009, which means it's high time for a holiday movie that name drops the economic downturn in some way. That leads us to Frank Diaz (John Leguizamo), a married father of two who must find a way to provide shelter for his recently-evicted family (Leonor Varela, David Castro, Samantha M. Rose) despite some skill setbacks and an employment history that consists solely of a failed boxing career and some off-the-books odd jobs. No problem, right? After all, look at the title of the film and the cover art on the box: Both have "Christmas miracle" slathered all over them. That's something of a shame, because it clears a lane for people to dismiss "Where God Left His Shoes" as nothing more than hokey fluff that makes light of and cashes in on complicated problems for which there is no neat, happy ending.
"Shoes," in fact, is nothing of the sort: Its
•
Forrest Gump,' Rocky' set, two holiday gems lead big Blu-ray parade
A Tom Hanks classic, "Forrest Gump" (Paramount, 1994, $39.99); a knockout of a set, "Rocky: The Undisputed Collection" (MGM, 1976-2006, $99.98); and a pair of holiday favorites, "National Lampoon's Christmas Vacation" (Warner Brothers, 1989, $39.92) and "It's a Wonderful Life" (Paramount, 1946, $29.99) top this week's sparkling lineup of new Blu-ray titles.
Hanks won an Oscar for his performance as the title character in the marvelous "Forrest Gump." Forrest, born in Alabama, isn't the smartest guy in the world with an IQ of 75,but he might well be the nicest soul on the planet. It's difficult to imagine anyone else other than Hanks being able to pull this off, making Forrest one of the most lovable, funniest and sympathetic characters in movie history.
Director Robert Zemeckis, with the aid of special effects, guides Forrest through many historic moments of the 20th century. He is seen with three presidents - Kennedy, Johnson and Nixon - and Forrest is there when George Wallace attempts to fight integration
•
Young actors click in '(500) Days of Summer'
SANTA MONICA - Director Marc Webb knew the only way his non-love story "(500) Days of Summer" would work would be if he found the perfect pair of actors for the complicated boy-meets-girl tale.
First, he needed an actress to play the film's "manic pixie dream girl" -- someone vulnerable enough for the audience to love, but strong enough to endure the consequences of her honest approach to life. He cast Zooey Deschanel.
Then, he needed the right boy. He turned to Joseph Gordon-Levitt to play Tom, an idealist who falls insanely in love with Summer (Deschanel). Tom has trouble dealing with Summer's honest assessment that their relationship is never going to be serious.
•
'Jennifer's Body' more horror than humor
"Jennifer's Body" is being promoted as a comedy, and the film does have devilishly dark comic moments thanks to the generally poisonous pen of Oscar-winning writer Diablo Cody.
From pop culture references to a teacher with a hook for a hand (played by the always dependable J.K. Simmons), Cody's black sense of humor seeps out of this movie like the blood of its numerous victims. But Cody doesn't show the dark humor consistency of her "Juno" screenplay.
There are actually more arguments for this film to be promoted as a horror movie because director Karyn Kusama trumps all the comic scenes with acts of violence. The story revolves around Jennifer, played by the head-turning Megan Fox. She's the typical high school student -- if you count shopping at Sluts "R" Us for her clothes, bedding most of the males (and a few females) in her small town and being so in love with herself that she makes the term narcissistic seem insufficient.
"I Love You, Beth Cooper" would like to be this year's "Superbad," a raucous teen sex comedy. But it's just super bad.
It's easy to hate this movie. There's a script that comes across like pieced-together letters to Penthouse magazine, misguided direction and a leading man who redefines the term dull.
Larry Doyle's pathetic script, based on his own book, deals with graduation night after school geek and valedictorian Denis Cooverman (Paul Rust) declares his unrequited love for school hottie Beth Cooper (Hayden Panettiere). He expresses his feelings for her -- and other classmates -- through his graduation speech.
The aftermath is a series of events that are trite. Most of the plot points have Denis dodging the brutal assaults of those he offended while spending time with Beth.
Doyle's script never commits to making this a sweet romance like "Nick and Norah's Infinite Playlist" or an over-the-top sex romp like "American Pie." His idea of a funny plot twist is to have Beth and her babe buddies sneak into their old high school after dark to take showers.
What hurts the story the most is Doyle's indecision with Beth. At times it seems like she is a heartless harpy -- such as attending Denis' poor excuse for a graduation party just to spite her psychotic boyfriend. Then, Doyle makes a left turn and paints Beth as a misunderstood beauty.
Give Panettiere props for trying to make the role work despite the film being such a hopeless cause.
Director Chris Columbus, whose first film was the similar, but far more entertaining "Adventures in Babysitting," gets caught up in Doyle's flip-flopping.
The film occasionally stumbles upon the quick tempo needed to sustain this kind of mindless comedy. Then the director puts the brakes on to allow Beth and Denis to talk about their feelings. If the characters had been more interesting, these emotional moments might have had some punch.
At one point, Denis tells Beth, "This is not funny anymore."
She replies, "Who said it was supposed to be fun?"
That sums up "I Love You, Beth Cooper" in a nutshell.
@Nyx.CommentBody@