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Wayans spoofs, like 'Dance Flick,' are wearing thin
"Dance Flick" limps along like it has a bunion the size of a cantaloupe. Envisioned as yet another in the Wayans family dynasty's slew of slapped-together parodies, the movie has a few funny bits and characters that work, but the joke-to-belly-laugh ratio is pretty miserable compared to such past outrageous Wayans romps as the "Scary Movie" series.
(I just saw a pig fly by, and it didn't have anything to do with swine flu, but instead marks the day I actually offer mild praise for "Scary Movie." Wonders never cease.)
The big issue with "Dance Flick" is that the genre it skewers isn't really all that ripe for parody. Sure, Hollywood has pumped out a long string of dance-related movies, usually involving fresh-faced protagonists struggling against all odds to break through as professional dancers, but those films aren't either iconic or memorable enough to provide the broad, easy targets the Wayans need to make their brand of comedy work.
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'Alien Trespass' pays tribute to '50s creature features
SAN FRANCISCO -- When actress Jenni Baird was cast in "Alien Trespass," the campy science-fiction film being released on DVD Tuesday, she was given homework.
Director R.W. Goodwin told her to go home and watch the original versions of "The Day the Earth Stood Still," "War of the Worlds" and "It Came from Outer Space." He wanted Baird to get familiar with the movies that were the inspiration for his salute to the 1950s creature features.
Goodwin's film looks like it was shot in the '50s, when movie monsters were often made of scraps of material and had exposed zippers. The task of the beautiful woman -- fellow scientist, secretary, spouse -- was to scream bloody murder.
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Root for Bigelow to deliver $10m
Root for Alphonso Bigelow. One more time: Root for Alphonso Bigelow.
The best sports tales are underdog stories -- this is a known and provable fact -- and Alphonso Bigelow delivering a check to the Fresno State athletic department on July 10 would be Danny Manning and the Miracles or at least Doug Flutie's Hail Mary.
Bigelow is 35 years old and a former college football player who grew up humbly in Los Angeles. He was the son of a single mom. People often thought Bigelow was adopted because his mom is white and he is dark enough to look, in his words, "full-African American."
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'(500) Days of Summer' a lovely dose of reality
The opening voiceover for "(500) Days of Summer" makes it clear that while this is a boy-meets-girl movie, it is not a love story. It is actually one of the best unlove stories ever made.
Hollywood has churned out romance films with the constant theme that love conquers all since the first movies were made. "(500) Days of Summer" is the first production to embrace the more universal truth about relationships: they often end in failure. This is no idealized look at love. The film's strength comes from its stark -- and yet weirdly funny -- examination of what too often happens when boy meets girl.
The boy in this equation is greeting-card writer Tom (Joseph Gordon-Levitt). He's a romantic who believes in love at first sight. The girl, Summer (Zooey Deschanel), is a new hire in the office who's not even certain love exists.
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'09 may go down as year of medical dramas
LOS ANGELES -- The launch of three new medical dramas -- NBC's "Mercy" and "Trauma" plus CBS' "Three Rivers" -- to go along with the three already on the networks makes this one of the biggest years in TV history for the genre. Now it's up to the new shows to stand out in the crowd.
"House" already lures viewers to Fox with the doc-you-love-to-hate, and both "Grey's Anatomy" and "Private Practice" have given ABC a controlling interest on sexy story lines. The new shows have found their own specialties.
"Mercy" gets the first crack with its 8 p.m. launch tonight. Its gimmick is to move the focus away from doctors and onto the real heart of a medical staff -- the nurses.
What was made in Vegas should have stayed in Vegas with "The Hangover." The film is a cheap knockoff of what should have been a much funnier movie.
Four friends head to Las Vegas for a bachelor party. They wake up the next morning to the aftermath of what had to be a cross between an orgy and a coup. The worst part is they're missing the groom. Since the guys took a date-rape drug instead of Ecstasy (that's supposed to be funny?) no one can recall what happened.
Director Todd Phillips, with the forgettable big screen version of "Starsky & Hutch" to his discredit, guides three of the buddies through a quest of discovery that includes a wedding, the theft of Mike Tyson's tiger and a showdown with a flamboyant Asian man who spends a lot of time naked. Each joke is either painfully predictable or the kind of humor that's really funny at 3 a.m. but loses its shine in the light of day.
The script makes the very similar "Dude, Where's My Car?" look like a Rhodes scholar wrote it.
Phillips confuses the line between being outlandishly funny and simply offensive. Jokes with babies being hit in the head with car doors and made to look like they're masturbating cross the line. This is not smart writing.
Tyson is painful to watch. He stumbles through a few lines of dialogue before throwing a punch to salvage a little physical comedy. And the other performances aren't much better.
The cast is second string. Zach Galifianakis is the dim-witted character who would have been better played by Jack Black. Ed Helms is the poor man's Stephen Colbert. And Bradley Cooper is an imperfect version of Matthew McConaughey.
Heather Graham seems to understand there's no reason to bring her best acting game to this movie. All she has to do is giggle a few lines and help the plodding plot crawl along.
The director even wastes his neon-filled setting. Phillips manages to make Las Vegas look more like Reno. There's no sense of how big the city is except for a couple of shots from the top of a building.
"The Hangover" fails to be as sophomoric as "Bachelor Party 2: The Last Temptation." It lacks the darkness of "Very Bad Things." About the only thing this movie is good for is discouraging heavy drinking. You'd think twice about risking a hangover after this.
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