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'Jennifer's Body' more horror than humor
"Jennifer's Body" is being promoted as a comedy, and the film does have devilishly dark comic moments thanks to the generally poisonous pen of Oscar-winning writer Diablo Cody.
From pop culture references to a teacher with a hook for a hand (played by the always dependable J.K. Simmons), Cody's black sense of humor seeps out of this movie like the blood of its numerous victims. But Cody doesn't show the dark humor consistency of her "Juno" screenplay.
There are actually more arguments for this film to be promoted as a horror movie because director Karyn Kusama trumps all the comic scenes with acts of violence. The story revolves around Jennifer, played by the head-turning Megan Fox. She's the typical high school student -- if you count shopping at Sluts "R" Us for her clothes, bedding most of the males (and a few females) in her small town and being so in love with herself that she makes the term narcissistic seem insufficient.
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'Drag me' is never a drag
*"Drag Me to Hell" Grade A-: A woman (Alison Lohman) has her life turned into a living hell because of a bad decision.
Sam Raimi's "Evil Dead" trilogy, released in the '80s and early '90s, is one of the great examples of a director blending the macabre with the comical. The director uses that chills-and-giggles formula to make this film one of the best horror films in years. In many ways, it's also one of the best comedies.
The film has only one minor problem: The plot-twist ending is too obvious. By then, the movie has been so entertaining such a flaw can be forgiven.
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Pop culture titans Winfrey, Perry throw their weight behind movie from book
TORONTO - Oprah Winfrey did not write "The Bluest Eye" or "Middlesex" or "Love in the Time of Cholera." But her formidably influential book club has helped many an author - alive or dead, famous or no - reach a wider audience. (Sample thank-you note from the beyond: "Oprah, thanks for your support of 'Anna Karenina.' Leo.") Now the multinational corporation disguised, cunningly, as a cultural arbiter and television personality hopes she can do a similar favor for a film she "really, really, really loves."
It is "Precious: Based on the Novel 'Push' by Sapphire." Already this year, director Lee Daniels'adaptation, from a script by Geoffrey Fletcher, has won key awards at the Sundance and Toronto film festivals. There should be many Academy Award nominations in its future The film may tone down the grim oppression of the 1996 novel, but it's nonetheless a wrenching experience.
In 1987 Harlem, a teenage girl named Claireece "Precious" Jones lives life one crushing day at a time. She is illiterate, obese and
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Waking up hard to do in 'Pandorum'
SAN FRANCISCO - Time can move slowly in the movie world, just ask the cast of "Pandorum." The sci-fi horror film opens Friday, seven months after members of the cast traveled to the WonderCon comic book/movie/pop culture convention to hype the film. And the publicity didn't start until months after the movie was shot.
What everyone will finally see this weekend is how two astronauts (Dennis Quaid, Ben Foster) wake up in a hyper-sleep chamber aboard a seemingly abandoned spacecraft. They can't remember anything. The pair soon discover - in "Alien" fashion - there's more happening on the ship than they could imagine.
The sci-fi and horror genres are familiar worlds to Foster, who appeared in "30 Days of Night" and "X-Men: The Last Stand." He says it's not the genre but the script that attracted him to this movie.
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The Fourth Kind'
"I am actress Milla Jovovich," the star says, directly to the audience as she introduces her new movie, "The Fourth Kind."
And those are pretty much the last true words out of her mouth in this gimmicky, "Yes, this really happened" alien-abduction horror hooey. It's a film whose writer-director is so heavily invested in making us buy into it as "fact" that he wastes screen time on claims of veracity when he should have invested his movie with a few more genuinely hair-raising moments.
Because even if his and his star's pants are on fire this very moment, "The Fourth Kind" still manages a few good frights.
Sam Raimi's "Evil Dead" trilogy, released in the '80s and early '90s, is one of the great examples of a director blending the macabre with the comical.
He uses that chills-and- giggles formula to make "Drag Me To Hell" one of the best horror films in years. In many ways, it's also one of the best comedies.
At the heart of this chiller is bank loan officer Christine Brown, played with zeal by innocent-looking Alison Lohman. Brown is so determined to win a promotion that she denies a third loan extension to the very strange Mrs. Ganush (Lorna Raver).
This proves a bad move as Ganush puts a curse on Brown. In three days, a demon will drag her soul to hell. Until then, the demon will torment and abuse her.
The movie goes from terrifying to silly in the blink of an eye. For example, the demon attacks Brown in her garage. The attack ends when Brown goes Wile E. Coyote and drops a conveniently located anvil on the demon's head in an eye-popping moment. Screams quickly turn to laughs.
Then there's the fight sequence in a car when Ganush confronts Brown in a parking garage at the bank. This is where the curse is cast.
The office supplies Brown is taking home to do some work become weapons. Mix in flying dentures and drooling bites and you've got the kind of sequence horror film buffs will talk about for years.
Raver's Ganush joins the ranks of Freddy Krueger and Jason Voorhees as a great horror film character. She's equally terrifying and hard to stop.
Raimi makes the movie white-knuckle scary without resorting to buckets of blood or endless acts of violence. He's smart enough to leave some of the terror to the imagination using eerie shadows, sound effects and a creepy soundtrack to create chilling moments.
Lohman's casting is heaven-sent as as her character's mixed emotions play across her cherubic face. Without her serious side to ground the movie, the comedic moments would be as out of place as a cold glass of water in Hades.
"Drag Me To Hell" has only one minor problem: The plot-twist ending is too obvious. By then, the movie has been so entertaining such a flaw can be forgiven.
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