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Both children and adults will be Up' for watching Pixar's latest
It's almost axiomatic to say that Pixar movies are just as enjoyable for adults as they are for kids. But in the case of Pixar's most recent hit, "Up," out on Blu-ray and DVD this week (Walt Disney Studios Home Entertainment, $39.99 2-disc DVD/$45.99 4-disc Blu-ray combo, rated PG), the path-breaking Emeryville, Calif.-based animation studio may have made a film that's even more pleasurable, and meaningful, for grown-ups than for children.
To be sure, "Up," like its Oscar-winning predecessors from Pixar ("WALL-E," "Ratatouille," "The Incredibles" and "Finding Nemo"), has been a hit for all ages. Released at the end of May, "Up" is the third-highest-grossing film of the year so far, according to Box Office Mojo, taking in nearly $300,000 at American movie theaters. And one of its protagonists is an 8-year-old Wilderness Explorer named Russell (voiced by Jordan Nagai).
Yet Russell turns out to be a secondary character in "Up," a youthful force who helps set in motion the real star of the film, a crotchety
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'9' animator had many hills to climb
Managing costs was one of the biggest challenges for animation director Joe Ksander and his team in making "9."
They wanted to create a movie with the same rich look and texture of other recent CGI movies, but had a smaller budget. Ksander wouldn't talk specifics, but he says "9" cost about one-third of what big animation studios like Disney and Pixar spend.
That could have been a real problem because the film looks at a massive post-Apocalyptic world where a group of nine dolls who have come to life must defend themselves from a mechanical monster.
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Jackson delivers on `This Is It,' early fans say
"Michael Jackson's This Is It" premiered to high praise from fans who applauded at each number as though they were at a concert and marveled as the singer stepped nimbly through his moonwalk and other signature moves.
Jackson, 50 when he died last June, kept pace with backup dancers half his age during rehearsals for such hits as "Thriller," "Billie Jean," "Beat It" and "Human Nature." The film was shot as Jackson prepared for a marathon concert stand in London that never happened.
"He looked better than he did when he was 30," said Jessica Childs, a 21-year-old aspiring dancer who caught the Los Angeles premiere. "His voice stood out."
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Jackson delivers on `This Is It,' early fans say
"Michael Jackson's This Is It" premiered to high praise from fans who applauded at each number as though they were at a concert and marveled as the singer stepped nimbly through his moonwalk and other signature moves.
Jackson, 50 when he died last June, kept pace with backup dancers half his age during rehearsals for such hits as "Thriller," "Billie Jean," "Beat It" and "Human Nature." The film was shot as Jackson prepared for a marathon concert stand in London that never happened.
"He looked better than he did when he was 30," said Jessica Childs, a 21-year-old aspiring dancer who caught the Los Angeles premiere. "His voice stood out."
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Dairies wrestle with animal-welfare standards
Fresno County dairy operator Jamie Bledsoe says he’s proud of how he cares for his animals. But his word may no longer be enough to satisfy the buyers of his milk.
Bledsoe, like many livestock farmers, operates in a new environment where animal rights groups, consumers and retailers are increasingly demanding assurances that farmers treat their animals humanely.
“As much as we may dislike this, this is the world that we live in today,” said Bledsoe, a Riverdale dairy operator. “And it isn’t going to change.”
SAN FRANCISCO - There's a reason most Disney/Pixar movies - "Cars," "A Bug's Life," "WALL-E" - feature cute cars, bizarre bugs and rambunctious robots. People aren't easy to animate.
"Humans are really, really, really hard to make look real. If they look too real, then they look dead and creepy and weird," said Jonas Rivera, one of the producers of the new Disney/Pixar film "Up," at WonderCon, the annual comic book/TV/film convention, in February.
That was a big concern with "Up." The central characters are 78-year-old balloon salesman Carl Fredricksen (voiced by Ed Asner) and a 9-year-old Wilderness Explorer named Russell (voiced by Jordan Nagai). Carl decides to escape his life by tying thousands of balloons to his house. Russell ends up an accidental guest on the air trip to South America.
Pixar animators went back to a technique they used in "The Incredibles," where all the humans have completely distorted proportions.
There was another challenge: "Up" starts with Carl as an 8-year-old boy and shows him through 70 years.
"So finding those commonalities of what are the distinguishing characteristics of people that make them identifiable at varying ages was a trick," said director Pete Docter, also at WonderCon.
Audrey Hepburn and Mickey Rooney helped. Animators looked at pictures of the two actors, and many others, from over the years. They studied how faces change over time but some features remain the same.
It took four years to make "Up," and after looking at it so long, the creative team started wondering if it was still funny.
They tested it on an audience made up of everybody from the top executives at Pixar to the kitchen staff. Scenes that made everyone laugh stayed in. The rest had to change.
"I would think everyone would do this. Grab your friends and show them your film. Get them to tell you what would make it better," Docter said.
The "Up" team has a reputation to uphold. Since the 1995 release of "Toy Story," the company has turned out nine movies that were critical and box office successes. Last year's "WALL-E" won the Oscar for best animated film.
Rivera's a little concerned about the name. Call a movie "Finding Nemo," and there's no doubt what it's about. But "Up" might be a little too mysterious, he thinks.
Docter said the name is perfect for what they wanted to say. He confesses to feeling overwhelmed in social situations and wanting to escape, so the idea of using balloons to get away intrigued him.
"When I sit down in the theater, I want something that speaks to me, that I can recognize about myself and the world," Docter said. "We don't think of these as little kid movies or animated movies. We are just making movies. We just happen to use this amazing technology to tell stories that speak to us."
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