Movie review: 'Star Trek Into Darkness'

Director J.J. Abrams proved with 2009's "Star Trek" that it is OK to boldly go where others had gone before, as long as the journey is exciting, original, entertaining and respectful to legions of loyal fans. His film, which found the balance between reprising and reimagining, was a direct hit.

In his second voyage on the Starship Enterprise, Abrams has perfected that approach. "Star Trek Into Darkness" is the best work since Gene Roddenberry brought the franchise to life in the 1960s. Read more →

Movie review: 'Disconnect'

Director Henry Alex Rubin's "Disconnect" is a harrowing cautionary tale about the dangers that loom with every computer click. He weaves multiple story lines together with a gripping darkness to show how innocent online activities can have devastating consequences.

Jason Bateman turns in a memorable performance as the father of 10th-grader Ben (Jonah Bobo), whose need to connect in school makes him the perfect patsy for an online prank by some thoughtless fellow students. Read more →

Movie review: 'Iron Man 3'

In the first "Iron Man" feature film and its sequel, director Jon Favreau showed a real commitment to the comic book's roots. Action and angst were such major conduits for delivering the story that it was as if Favreau had created three-dimensional versions of comic book panels.

Shane Black took over as director of "Iron Man 3," and he's opted for a more "buddy cop" approach -- a style he's used in writing movies like "Lethal Weapon" and "Last Action Hero." Read more →

Movie review: Redford proves to be 'Company' man

At this stage in his life, it appears that Robert Redford only directs and stars in a movie where he feels a personal connection. It's been five years since he last graced the big screen in the political talker "Lions for Lambs," and it took another film that blends politics and people -- "The Company You Keep" -- to get him back into theaters.

A handful of '60s radicals -- that called themselves the Weather Underground -- have traded their revolutionary ways for more traditional suburban lives. They might have lived in hiding had it not been for one member (Susan Sarandon) having an epiphany that leads to her capture. Her actions send out a ripple through the lives of her fellow protestors, who went into hiding after one of their bombings at a bank to protest the Vietnam War resulted in a death. Read more →

Movie review: Mark Wahlberg in 'Pain & Gain'

At the beginning and near the end of director Michael Bay's "Pain & Gain" are reminders that the film is based on the true story of Miami bodybuilders who committed a long list of crimes, including torture and murder, in the mid-'90s. It seems Bay and screenwriters Christopher Markus and Stephen McFeely are proud of how they took this true story and turned it into a dark comedy.

At least they can see the humor. Read more →

Movie review: Colin Firth in 'Arthur Newman'

Colin Firth has the uncanny ability to play both king and commoner with the same compassion, dignity and reverence. Whether it was his lovesick efforts in "Love Actually" or his frustration in "A King's Speech," Firth showed it's heart that makes for a great performer. His heart-filled work is plentiful in "Arthur Newman."

Firth plays Wallace Avery, a failure as a husband, father, professional golfer and FedEx employee. He decides his life is so awful, he fakes his death and starts over as Arthur Newman. This transformation might have worked had he not met a person equally as damaged in Charlotte (Emily Blunt). As if drawn together by the failings in their lives, the pair take to the road on a journey of discovery. Read more →

Movie review: Matthew McConaughey in 'Mud'

Jeff Nichols' script for "Mud" is a lot like the Mississippi River that serves as a backdrop for the tale of unrequited love. There are times it is big and powerful and other times when it becomes so serene it's easy to forget the depths that hide below.

The flow of this film comes from the friendship that forms between lovesick teen Ellis (Tye Sheridan) and Mud (Matthew McConaughey), a rambling man who has taken refuge on a small island in the middle of the river. Mud returns to the small Arkansas community where he grew up, a place where he killed a man who abused the love of his life, Juniper (Reese Witherspoon). Mud wants to reunite with Juniper, but he's being hunted by the family of the man he killed. Read more →

New on DVD: 'Playbook' available this week

Relationships are fodder for this week's new DVD releases.

"Silver Linings Playbook," Grade B: A former high school teacher (Bradley Cooper) gets help getting his life in order from a mysterious woman (Jennifer Lawrence). Read more →

Movie review: '42'

There's a natural beauty and romanticism about baseball that transitions to the silver screen as perfectly as a well-turned double play. If you add in a powerful story that resonates through history as sharply as the crack of the bat on a warm spring day, then what you have is "42."

Director and writer Brian Helgeland recounts how Jackie Robinson (Chadwick Boseman) broke the color barrier in Major League Baseball in 1947 when he was offered a contract by owner Branch Rickey (Harrison Ford) to play with the Brooklyn Dodgers. Helgeland shows a deep respect for the game and for what Robinson accomplished by telling this baseball story through the human drama. Read more →

Movie review: 'The Place Beyond the Pines'

Derek Cianfrance's "The Place Beyond the Pines" is a three-act examination of how hard it is not to cross the line between good and evil.

This deep concept starts brilliantly, but it slowly loses design and focus with each new story. By the third act, the writer/director has allowed the film to settle into what plays out as little more than a rejected script from a teen angst TV series. Getting there is an interesting trip. Read more →

Movie review: 'Trance'

Director Danny Boyle dives deep inside the human psyche to look at what makes people act the way they do -- whether it be for love or just the inherent passion to survive -- with movies like "Slumdog Millionaire" and "127 Hours." He loves to take his characters to clear thresholds where they must decide the right courses for them to accomplish their goals.

Boyle's latest film, "Trance," continues that approach, but it becomes far more complicated because he weaves fact and fantasy together so tightly it's hard to tell where the thresholds exist. Such manipulation could have been off-putting, but the story is so compelling that following each thread of this twisted tapestry becomes a journey of discovery for the characters and the audience. Read more →

Movie review: 'The Host'

Hollywood has always shown a fondness for adapting books -- whether they be classic, contemporary or comic -- into movies. Not only does this provide instant fodder for a script, but it guarantees a built-in audience.

It also comes with some inherent problems, including cutting the story to fit a movie timetable and translating the characters from the images the reader creates in their minds to the ones that appear on the large screen. Read more →

Movie review: 'G.I. Joe: Retaliation'

It was originally reported that "G.I. Joe: Retaliation" was bumped from its planned June 2012 release so that it could be changed to 3-D. If that was the reason, it wasn't worth the wait.

Then, it was reported the film was delayed so more scenes of Duke (Channing Tatum) and Roadblock (Dwayne Johnson) could be shot. Again, the footage of the two is fun, but it's not worth the long delay. Read more →

Movie review: 'Jurassic Park 3-D'

Twenty years ago, director Steven Spielberg dazzled audiences with the herds of running and lumbering dinosaurs that filled his "Jurassic Park." Computer-generated images have become such a norm today that this kind of technology barely registers, but two decades ago it was spectacular. Check that: In the case of "Jurassic Park," it's still spectacular.

There's no reason to rush out to theaters to see the movie just because it's being re-released in 3-D. Rather, think of this as a chance to see the movie on a big screen. Even if you've seen it countless times on TV, there's little to match the sight of the creatures as they tower above the audience. Read more →

Movie review: 'The Croods'

If "The Croods" is an example of what's supposed to be prehistoric comedy, then the genre should be allowed to become extinct. There's the potential for humor, but it never develops beyond a few sight gags that will entertain the pre-school crowd.

The movie follows a family of cave dwellers -- The Croods -- who only venture out long enough to search for food. They are afraid of anything new, the dark and, apparently, any joke that doesn't have to do with one of them falling down. The only member of their group with an adventurous heart is Eep (voiced by Emma Stone), but she would have to defy her protective father, Grug (Nicholas Cage), if she wants to see the world. Read more →

Movie review: 'Stoker'

"Stoker" is a visual treat from the creative opening credits to the colorful splendor of nature that's almost blinding. Director Park Chan-wook embraces texture, shapes and colors with such exuberance that each scene is a celebration of the visual. It's almost brilliant enough to distract from a plot that has some very dark problems.

Mia Wasikowska turns in a creepy performance as India, a young woman who just turned 18 and has lived an emotionally confined life. That world gets even smaller and darker when her father dies in an automobile accident. The arrival of Charles Stoker (Matthew Goode), an uncle she never knew existed, could be the spark she needs to come out of her emotional cocoon. Read more →

Movie review: 'Olympus Has Fallen '

Check the calendar, we must have jumped a few months ahead. That's the only way to explain why the supercharged, action-packed "Olympus Has Fallen" -- the kind of movie that fills movie theaters during the summer -- opens today.

This high-powered tale of terrorists who take over the White House is "Air Force One" meets "Die Hard." Read more →

Movie review: Halle Berry in 'The Call'

If the celluloid service for "The Call" had run out after 60 minutes, the new film from director Brad Anderson would have been an edge-of-your seat thriller about a 911 operator's valiant efforts to save a kidnapped young girl.

Sadly, "The Call" continues, and the last third of the movie is where it turns into a complete wrong number. Read more →

Movie review: Steve Carell, Jim Carrey in 'The Incredible Burt Wonderstone'

Comedy -- like magic -- has to be performed quickly, cleanly and with enough intelligence that it makes the improbable entertaining. Fail to do this, and the comedic illusions lead to disillusions.

"The Incredible Burt Wonderstone" fails on all three counts. There are a few funny moments in this story of a Las Vegas magician who loses his magical touch, but the pacing is too slow, the performances too uneven and the writing too juvenile to make this a bewitching comedy. Read more →

New on DVD: 'Zero Dark Thirty,' 'Rust and Bone'

This week's new DVDs include an Oscar-nominated effort, a film with performances that should have been nominated and a new release that sounds as if it was up for an Oscar.

"Zero Dark Thirty," Grade B-: Most of the efforts to track down and kill Osama bin Laden remain classified information. The only details readily made public have been about his death at the hands of Navy SEALs in 2011, which ended one of the greatest manhunts in history. Read more →

Movie review: Matthew Fox in 'Emperor'

There are plenty of movies in the feature film library vault having to do with every major -- and many minor -- battles of World War II.

One area that has not been closely scrutinized is life in Japan after the war ended when the United States faced the tough job of helping rebuild the country while trying to bring war criminals to justice. Both must be done while dealing with the commitment to honor and tradition among the Japanese people. Read more →

Movie review: 'Caesar Must Die'

You've never seen "Julius Caesar" like this.

Shakespeare's classic play has been staged in all sorts of settings and time periods. For all I know, it's even been set in a prison before. Read more →

Movie review: 'Oz the Great and Powerful'

"Oz the Great and Powerful" should have been called "Oz the Good and Passable." The new film from director Sam Raimi has flashes of brilliance but overall the latest trip down the Yellow Brick Road has a few too many bumps in the road to make this a magical journey.

The latest film production inspired by the writings of L. Frank Baum explains how Oz (James Franco) goes from being a two-bit sideshow magician in Kansas to ruling the land of Munchkins, Quadlings and Flying Monkeys. In true Dorothy fashion, Oz is taken via tornado to the weird and wonderful land. Read more →

Movie review: 'Phantom'

In sports and the military, "professionalism" describes people who go about their work with a calm, dispassionate efficiency -- no fuss, no panic when things go wrong, few mistakes, little attention paid to the odds, the chance for glory.

You can apply that word to movie actors, too. The great cast of character actors of "Phantom," a solid Cold War-era submarine thriller of modest ambitions, never reveals that this isn't "The Hunt for Red October" or "K-19: The Widowmaker." Ed Harris, William Fichtner, David Duchovny and Co. show up, hit their marks, give their lines some punch and play the heck out of this B-picture, which could easily have been just a prop (a submarine) in search of a movie. Read more →

Movie review: Dustin Hoffman's 'Quartet'

Old musicians -- they have the best insults.

"Your singing brought tears ... to my ears." Read more →

Movie review: 'Jack the Giant Slayer'

"Jack the Giant Slayer" -- the latest film foray into giving classic fairytales a modern look -- combines a likable hero with a fun story and flashy special effects to make the movie fee fi fo fun.

This isn't the typical story of a young farm boy who plants magic beans and climbs the vines to steal a golden harp from a slow-moving giant. In this version, from screen writers Darren Lemke, Christopher McQuarrie and Dan Studney, Jack (Nicholas Hoult) accidentally creates the sky-high vine and in the process puts Princess Isabelle (Eleanor Tomlinson) in danger. Jack joins members of the King's army -- led by the chivalrous Elmont (Ewan McGregor) -- who climb the vines to take on more giants than you will find in San Francisco. Read more →

Movie review: Dwayne Johnson in 'Snitch'

There is a massive Rock in the way of "Snitch" being the movie it wants to be -- a thought-provoking story about the ills of the legal system.

The casting of Dwayne "The Rock" Johnson as a worried father who becomes a drug runner to get his son out of prison immediately suggests that this is another explosive action film. Wrong! There's some action, but it comes along in the last act -- far too late to wake those who have nodded off and are dreaming of a better movie. Read more →

Movie review: 'Bless Me, Ultima'

"Bless Me, Ultima" is like the cobbled memories we might have while reflecting on our own lives during a warm summer day. These bits and pieces of retained memories come skipping back with only a tenuous thread to hold them together. Observed in linear form, there is a disconnection and disruption that is too jarring to ignore.

The film, based on the much beloved novel by Rudolfo Anaya, offers a look at the simple life of a Hispanic family living in New Mexico during World War II. This world is shown through the eyes of Antonio (Luke Ganalon), an elementary school student with a large appetite for learning. This quiet world changes when Ultima (Miriam Colon), comes to live her final days with the family. Read more →

Movie review: 'Safe Haven'

When it comes to trying to make you cry, there are no safe havens in "Safe Haven."

The latest film based on a novel by Nicholas Sparks -- the author who has elicited more tears than an onion factory -- includes plot points of spousal abuse, cancer, cute kids, children in peril, a hunk with a heavy heart, loss of a parent, letters from the grave and a lot more. Read more →

Movie review: Bruce Willis, 'A Good Day to Die Hard'

The plot of "A Good Day to Die Hard" has more holes than a 25-year-old pair of favorite socks. But just like those tattered toe covers, there is something fun about the latest in this long-running film series to make you glad it's still around.

Bruce Willis dusts off the tough guy attitude to reprise his most iconic role, detective John McClane -- a man who always seems to be in the wrong place at the right time. This time, he travels to Russia in hopes of saving his estranged son, Jack (Jai Courtney), from a lifetime in prison. He ends up in the middle of a political and military mess -- the norm for McClane. Read more →

Movie review: 'Beautiful Creatures'

It's easy to try to force "Beautiful Creatures," the film based on the young romance novel of the same name, into the same pigeonhole as other stories about teens -- one mortal, the other supernatural. That's unfair.

While the film includes the basic elements that have been used in everything from "Twilight" to "Harry Potter," they take on a fresh look through some interesting writing, a handful of fascinating characters and a pair of young lovers who look emotionally awake. Read more →

Movie review: 'Identity Thief'

"Identity Thief" is such a gargantuan stinker its stench can't be confined to one theater. Fumigate all you want. A stink this bad lives on forever.

Jason Bateman plays Sandy Patterson, a hot shot accountant on the verge of making the biggest move in his career. He needs to advance because Patterson, his wife (Amanda Peet) and their two daughters live on a very tight budget. Read more →

Movie review: 'Side Effects'

WARNING: Watching the movie "Side Effects" may cause drowsiness, a blurred sense of reality, explosive confusion and a slight tingling in the logic center of your brain.

This alert is necessary because the new thriller from director Steven Soderbergh requires so many coincidences, chance meetings, ignored signals and plot oversights that the surprise ending is not that surprising and the story to get there is as illegible as a doctor's handwriting. Read more →

Movie review: Alan Arkin, Christopher Walken, Al Pacino in 'Stand Up Guys'

Fisher Stevens hasn't directed a lot of movies, but he shows veteran savvy with his work in "Stand Up Guys."

He's smart enough to know that when you have actors like Al Pacino, Christopher Walken and Alan Arkin, the best thing to do is point the camera and let the masters do their jobs. Read more →

Movie review: 'Warm Bodies'

Zombie love story "Warm Bodies" introduces a new film genre: the zom rom com. It has all the leg shuffling, brain-eating fun of a horror film played out against a modern day "Romeo & Juliet" tale. The combination might sound as compatible as chicken and chocolate, but director Jonathan Levine makes the odd mix work.

The film is based on Isaac Marion's novel about a not-so-distant future where a weird plague has turned the majority of the population into zombies. One of these walking dead, a zombie (Nicholas Hoult) who can only remember his name starts with an R, shuffles his way through a local airport. Except for a few shared grunts with his best dead bud M (Rob Corddry), life's relatively uneventful. Read more →

Movie review: 'The Last Stand'

"The Last Stand" is the vehicle former California Gov. Arnold Schwarzenegger selected to make his return to starring in action films. If this is an example of his work in the post-governor days, Schwarzenegger should seriously consider a return to politics.

What passes as the plot for this stinker has Schwarzenegger playing the sheriff of a sleepy little town on the Mexican border. It's not just sleepy but nearly comatose because most of the town's people have left on a weekend trip for a high school football game. Convenient. Read more →

Movie review: 'Mama'

"Mama" would have been good for a few scares if the biggest plot point made even a tiny bit of sense.

Director Andrés Muschietti's horror film looks at what happens when two small girls spend five years in the forest being raised by a spectre. How they got there is a jumble. It has something to do with the stock market disaster, murder and divorce. Considering that most of the movie has such a slow pace, it would have been nice if Muschietti set up the story. Read more →

Movie review: 'Gangster Squad'

LOS ANGELES -- Josh Brolin takes a few puffs on a cigarette before returning from the balcony of the Four Seasons Hotel room where he is spending the day talking about his latest movie, "Gangster Squad."

That few seconds respite is a lot like Brolin's acting career: He often has to steal a moment to rest because -- by choice -- he works so much. Read more →

Movie review: 'Zero Dark Thirty'

Most of the efforts to track down and kill Osama bin Laden remain classified information. The only details readily made to the public have been about his death at the hands of Navy SEALs in 2011, which ended one of the greatest manhunts in history.

"Zero Dark Thirty" (a military term that means 30 minutes past midnight), the new film from Oscar-wining director Kathryn Bigelow, offers a detailed -- very detailed -- accounting of the years the CIA spent following every tiny lead in their quest to find bin Laden. This lengthy accounting is so tedious at times that the finale seems as illusive as the man at the center of the manhunt. Read more →

Movie review: 'Struck By Lightning'

Chris Colfer has taken the suggestion of "write what you know" to heart. His script for "Struck By Lightning" isn't autobiographical -- he's never been hit by a lightning bolt -- but it's rife with elements of his own less-than-happy days in high school.

Read more →

Movie review: 'The Impossible'

"The Impossible," a film based on the true story of a family's effort to survive after the Indian Ocean tsunami hit their hotel on Boxing Day 2004, generates the deep emotions needed to reach out and put a death grip on your heart.

Stars Naomi Watts and Ewan McGregor, who portray the parents, have the acting credentials to make this powerful drama. Both rise to the challenge of the emotionally and physically draining roles admirably. Read more →

Movie review: 'Promised Land'

In many ways, "Promised Land" travels the same moral pathways that made "Up in the Air" so compelling. Just as that Oscar-nominated film delved into the complicated issues that arrive when human values get mixed in with business, "Promised Land" cast a relatively even light over the unwinnable choice many farmers face when they have to decide between two evils.

Residents of a small community -- the kind of Anywhere, USA where there are stores that proudly boast they sell "Guns, Groceries, Guitars, Gas" -- must decide whether to lease their land to a gas company for deep drilling because they need the money or reject the offer because of all the environmental issues. Read more →

Movie review: 'Parental Guidance'

Christmas is one of the busiest movie-going days of the year. But the trick for many families is trying to pick a film that will entertain youngsters, parents and grandparents alike. Here's a clue: "Django Unchained" isn't it.

This year's best bet is "Parental Guidance." This holiday offering -- partially filmed in Fresno -- won't get Oscar buzz, but it's a family friendly film with just the right blend of slapstick comedy and light emotional moments to make it suitable for young and old. Read more →

Vive 'Les Miz': Minus one actor, cast is sterling

Haven't heard the buzz yet about Anne Hathaway's tour de force moment singing "I Dreamed a Dream" in the strong new movie version of "Les Misérables"?

Trust me, you will. Read more →

Movie review: 'Les Miserables'

To transform the much-beloved "Les Misérables" from stage to screen, director Tom Hooper had find a way to maintain -- and amplify -- the emotional power of the original words and music with the trappings of a big-screen production.

His efforts have created a beautiful and moving version of the stage production that's loyal enough to its origins to appease Broadway musical fans, yet is theatrical enough to stand as a feature film release. Read more →

Movie review: 'Jack Reacher'

Tom Cruise has found in his latest movie, "Jack Reacher," a fast-moving and interesting action role that could replace his "Mission: Impossible" days, should it become a film franchise. There aren't as many cool gadgets or super spy disguises, but Jack Reacher, the character introduced through a series of best-selling novels by Lee Child, is as rough and tumble as Cruise's Ethan Hunt in the trilogy of spy movies.

Reacher's a man of mystery. You don't call him. He finds you. The former military hero lives off the grid until there's an injustice that needs to be righted. Such a case lures him to Pittsburgh, where a sniper appears to have randomly killed five people. Despite a mountain of evidence against the primary suspect -- a former military sniper -- Reacher knows the man's being framed. Read more →

Movie review: 'Cirque du Soleil: Worlds Away 3-D'

"Cirque du Soleil: Worlds Away 3D" uses a rather standard boy-meets-girl plot to take the audience on a fanciful journey to a land of acrobats and artists who look at gravity as more of a suggestion than a law.

Mia (Erica Linz) finds herself at a motley circus where the main attraction is the man (Igor Zaripov) on a flying trapeze. Their eyes meet, a mistake for the aerialist during his show, and he plummets to the center ring floor. He's not killed, but he is pulled down into a sand vortex that eventually captures Mia and transports her to a magical world. Read more →

Movie review: 'Hitchcock'

Like walking into a dark movie theater from a sunny day, it'll take your eyes a little while to adjust to director Sacha Gervasi's "Hitchcock." Both the story and Anthony Hopkins's performance as the ground-breaking director Alfred Hitchcock can't be judged at first glance.

The film has all the trappings of being a rather mundane behind-the-scenes look at how Hitchcock -- along with his wife and creative partner, Alma Reville (Helen Mirren) -- gambled with their own money and Hitchcock's reputation to get the movie "Psycho" made. The film is now considered a classic, but the movie's dark themes made it look like Hitchcock had lost his mind for trying to tell the story on the big screen. Read more →

Movie review: 'The Hobbit: An Unexpected Journey'

Sometimes the smallest among us can do great deeds, Gandalf the Grey tells us.

Pretty inspiring words from someone so tall. Read more →

Movie review: 'Anna Karenina'

Movies like "Anna Karenina" are what people mean when talking about Hollywood magic. Director Joe Wright has taken the much-told tale of the late 19th-century Russia heroine and cast a cinematic spell to make his film version as compelling as it is creative.

It's not only one of the best and most beautifully staged movies of the past year, it easily belongs in that category for any movies released since the start of the 21st century. Read more →